Fine Art & Commercial Photography by Katrina Dobbermane

ENFR
LA KORÉ. KATRINA @ LAKORE PARIS
An editorial portrait of a young woman in a sheer black sequinned dress, sitting in the escalator tube of the Centre Pompidou in Paris, her chin resting in her hand, lit by flash mixed with natural light. From Katrina Dobbermane’s series On the Edge, in collaboration with Yves Saint Laurent Beauty and Hotel Bowmann, Paris.

ON THE EDGE

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In collaboration with Yves Saint Laurent Beauty and Hotel Bowmann

Enivrez-vous
Charles Baudelaire
Il faut être toujours ivre. Tout est là : c’est l’unique question. Pour ne pas sentir l’horrible fardeau du Temps qui brise vos épaules et vous penche vers la terre, il faut vous enivrer sans trêve. Mais de quoi ? De vin, de poésie ou de vertu, à votre guise. Mais enivrez-vous.
A portrait of a young woman crouching barefoot on the edge of the pool at Hotel Bowmann in Paris, her arms wrapped around her knees.
A flash photograph of a young woman lying on the terrace of the Centre Pompidou at dusk, reaching for a fallen bottle of Yves Saint Laurent Black Opium, the Paris skyline behind the railing.
A portrait of a young woman in strappy black heels, crouching on the black and white chequered floor of the Hotel Bowmann elevator in Paris, her hand resting on a bottle of Black Opium.
A flash portrait of a young woman in a sheer sequinned dress, biting into a slice of pizza in a doorway at night, the open box in her hand.
A close-up of a young woman eating pizza straight from the box, the cheese stretching from her lips.
An editorial photograph of a young woman in a supermarket at night.

CONSTRUCTED.

A fitness portrait of an athletic man in profile, leaning forward on a pair of dumbbells set on a black plinth. From Katrina Dobbermane’s series Constructed.
A fitness portrait of an athletic man, partly hidden by two white rounded geometric shapes. He wears a silver necklace with an ear of wheat pendant.

Constructed. is an award-winning, internationally exhibited fine-art series that approaches the body as living architecture. Through portraiture, staging and symbolic composition, it explores how the body is shaped over time by repetition, discipline, passion, aspiration and sacrifice.

The series moves between physical strength and vulnerability, control and sensuality. Guided by a choreographic approach to photography, Katrina Dobbermane works with body lines, light, perspective, gesture and symbolic forms to shape a visual language that feels at once restrained and intimate, sculptural and deeply human. She deliberately avoids theatrical gestures in favour of a quiet intensity.

Best of Best 25/26, ProfiFoto · ProfiFoto New Talent Award 26/1, 2026São Paulo Photography Festival, Brazil · Fotogipfel Oberstdorf, Germany · Les Murs Blancs, Arles, France · 2026

A fitness portrait of an athletic man seen from behind, holding a row of oranges against the small of his back.
A fitness portrait of an athletic man holding two orange halves over his eyes, a row of whole oranges lined up in front of him.
French track cyclist Florian Grengbo crouching among aluminium wheels that grow from small to large, symbolising his journey and his evolution.
A portrait of Florian Grengbo crouching among aluminium wheels, his chin resting on his clasped hands.
A portrait of French track cyclist Florian Grengbo, wearing his medal from the Tokyo 2020 Olympic Games.
French track cyclist Florian Grengbo in profile, holding a bicycle wheel.
A portrait of Florian Grengbo framed by two spoked bicycle wheels that recall the shape of flowers, a symbol of giving and transmission.
A portrait of a man with his face and chest partly painted white, his arms folded around a large white disc.
A still life of a worn dumbbell hanging from ropes above a single egg.

LAUNDRY DAY

First panel of a diptych: a graphic still life of black clothes pegs arched along a washing line. From Katrina Dobbermane’s series Laundry Day, diptychs where the lines carry over from one photograph to the other.
Second panel of the diptych: a portrait of a young man with his head tipped back, a curve of white clothes pegs around his chest continuing the line of the first panel.
First panel of a diptych: a portrait of a young man seated on a wooden pallet among hanging sheets, a chain of white clothes pegs falling from his chest.
Second panel of the diptych: a graphic still life of washing lines on a white background, the lowest one continuing the edge of the pallet from the first panel.
First panel of a diptych: a portrait of a young man in profile, his hands raised around his head, a washing line running behind him and a ring of white clothes pegs at his waist.
Second panel of the diptych: a graphic still life in which the washing line from the portrait carries on and rises, holding two black pegs above a blurred row of pegs.

FASHION & PRODUCT

A fashion photograph of a bare leg emerging from an oversized black blazer, laced at the side. From Katrina Dobbermane’s fashion and product work.
A fashion portrait of a model leaning against a white brick wall, in a cropped curly jacket with sculpted shoulders and flared black leather trousers.
A close-up of the curly texture of a jacket with sculpted shoulders.
A fashion portrait of a model in an oversized white shaggy coat and black leather trousers, against a white brick wall.
A fashion portrait of a model wrapped in a white shaggy coat, looking away.
A black and white fashion photograph of a professional dancer in a sheer organza outfit, holding a sculptural pose.
A black and white fashion portrait, the face half hidden by billowing sheer organza.
A sculptural product photograph of a Typology L42 aluminium tube standing on its cap against a grey gradient background, soft side light taking the brushed metal from shadow to brightness.
A product photograph of the same Typology tube, crushed and twisted into a sculptural form, standing on its cap against a grey gradient background, the light picking out every fold of the aluminium.
A sculptural product photograph of a Typology L42 aluminium tube standing on its cap against a grey gradient background, soft side light taking the brushed metal from shadow to brightness.
A product photograph of the same Typology tube, crushed and twisted into a sculptural form, standing on its cap against a grey gradient background, the light picking out every fold of the aluminium.
KATRINA DOBBERMANE FOUNDER & PHOTOGRAPHER KATRINA@LAKORE.PARIS
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--:-- Paris